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A Chorus Line | A musical derived from several taped workshop sessions with Broadway dancers, known as "gypsies," including eight who eventually appeared in the original cast. The show gives a glimpse into the personalities of the performers and the choreographer as they describe the events that have shaped their lives and their decisions to become dancers. |
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Saturday
Oct 18, 2008
7:30 PM |
A Chorus Line
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Palace Theatre-Cleveland
Cleveland, OH |  |
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Tuesday
Oct 28, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Oct 29, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Oct 29, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Thursday
Oct 30, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Friday
Oct 31, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 1, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 1, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 2, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 2, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Tuesday
Nov 4, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 5, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 5, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Thursday
Nov 6, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Friday
Nov 7, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 8, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 8, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 9, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 9, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Tuesday
Nov 11, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 12, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 12, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Thursday
Nov 13, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Friday
Nov 14, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 15, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 15, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 16, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 16, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Tuesday
Nov 18, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 19, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 19, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Thursday
Nov 20, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Friday
Nov 21, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 22, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Saturday
Nov 22, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 23, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Sunday
Nov 23, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Tuesday
Nov 25, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 26, 2008
8:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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Wednesday
Nov 26, 2008
2:00 PM |
A Chorus Line
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Canon Theatre-Canada
Toronto, ON | |
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At an audition for an upcoming Broadway production, director Zach and his assistant choreographer Larry put the gypsies through their paces. Every dancer is desperate for work ("I Hope I Get It"). After the first selection, 17 dancers remain. Zach tells them he is looking for a strong dancing chorus of four boys and four girls. He wants to learn more about them, so he tells them to introduce themselves. With reluctance, they reveal their pasts. The stories generally progress chronologically from early life experiences through adulthood to the end of a career.
The first candidate, Mike, explains that he is the youngest of 12 children. He recalls his first experience with dance, watching his sister's dance class when he was a pre-schooler ("I Can Do That"). Mike took her place one day when she refused to go to class – and he stayed. Bobby tries to hide the unhappiness of his childhood by making jokes. As he speaks, the 17 dancers have misgivings about this strange audition process and debate what they should reveal to Zach ("And..."), but since they all need the job, the session continues.
Zach is angered when he feels that the streetwise Sheila is not taking the audition seriously. Opening up, she reveals that her mother married at a young age and her father neither loved nor cared for them. When she was six, she realized that ballet was a relief from her family life. Bebe adds that, as she was not a beautiful child, she was also drawn to ballet, where she could feel beautiful. At the ballet, notes Maggie, someone is always there, unlike the father she has never had ("At the Ballet").
The scatter-brained Kristine is tone-deaf, and her lament that she could never "Sing!" is interrupted by her husband Al finishing her phrases. Mark, the youngest of the dancers relates his first experiences with pictures of the female anatomy and his first wet dream, and the other dancers share memories of adolescence ("Hello Twelve, Hello Thirteen, Hello Love"). Gregory speaks about his discovery of his homosexuality, and Diana recollects her horrible high school acting class ("Nothing"). Don remembers his first job at a nightclub, Richie recounts how he nearly became a kindergarten teacher, Judy reflects on her problematic childhood, and the 4'10" tall Connie rants on the problems of being short. Finally, the newly-buxom Val explains that talent doesn't count for everything with casting directors, and silicone can really help ("Dance: Ten; Looks: Three").
The dancers go downstairs to learn a song for the next section of the audition, but Cassie stays onstage to talk to Zach. She is a veteran gypsy who has had some notable successes as a soloist. They have a history together: Zach had cast her in a featured part previously, and they had lived together for several years. Zach tells Cassie that she is too good for the chorus and shouldn't be at this audition. But she hasn't been able to find solo work and is willing to "come home" to the chorus where she can at least express her passion for dance ("The Music and the Mirror"). Zach sends her downstairs to learn the dance combination.
Zach calls Paul on stage, and he emotionally relives his early career in a drag act, coming to terms with his manhood, homosexuality and sense of self. Cassie and Zach's complex relationship resurfaces ("One"). Zach confronts her, feeling that she is "dancing down," and they rehash what went wrong in their relationship and her career. Zach points to the good-but-not-great dancing of the rest of the cast, the gypsies who will probably never get out of the line. Cassie replies, "I'll take chorus, if you'll take me!" During a tap sequence, Paul falls injured and is carried off to the hospital: his career is over. Zach asks the remaining dancers what they will do when they can no longer dance. Whatever happens, they reply, they will be free of regret ("What I Did For Love"). The final eight dancers are selected: Cassie, Bobby, Diana, Judy, Val, Mike, Mark and Richie.
"One" (reprise/finale) begins with an individual bow for each of the 19 characters, their hodgepodge rehearsal clothes replaced by identical spangled gold costumes. As each dancer joins the group, it is suddenly difficult to distinguish one from the other; ironically, each character who was an individual to the audience is now an anonymous member of an ensemble.
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